Lilith’s Rain: media installation performance at The PLACE

Performance1

Performance15pct

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Here is the link to some photographs of the showcase presented the first weekend of July.

http://liligrana.wordpress.com/liliths-rain-presentation-at-the-place-london/

Performers: Laura Gubbins and Chiara D’Anna,


The Digital Performance Archive (DPA)

events

INTIMACY Across Visceral and Digital Performance

theory

By N. Katherine Hayles. Published by University of Chicago Press, 1999

Sherry Turkle: Our Split Screens [pdf download link]

Terri Senft: Camgirls:  Webcams, LiveJournals and the Personal as Political in the age of the Global Brand

Marking Time, Figuring Space: Gesture and the Embodied Moment Sara Schneckloth

Anna Khimasia( 2007) : Authorial Turns: Sophie Calle, Paul Auster and the Quest for Identity. Part of issue 19  of online magazine image and narrative  on the theme of autofiction and/in image.

Gervais, B., The Myth of Presence. The Immediacy of Representation in Cyberspace. Image [&] Narrative [e-journal], 23 (2008).

Ptacek, K., 2003. Avatar Body Collision: Enactments in Distributed Performance Practices. Digital Creativity, 14(3), 180-192.  Online summary

projects

http://www.eyesoflaura.org a webcam net project by Janet Cardiff

Adam’s Cam online flash work by Sébastien Loghman

The Big Kiss, a performance installation by Annie Abrahams

one the puppet of the other a performance installation by Annie Abrahams and Nicolas Frespech

Cinzia Cremona, performances and presentations

mdm cctvecstasy

reviews

Dixon (2007) Digital Performance: A History of New Media in Theatre, Dance, Performance Art, and Installation.

Cambridge, MA and London: The MIT Press. Reviewed by Ashley Smith

An Artist in the Chat Room.Art room reviewed by Luis Silva

calls for papers

Women & Performance

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About paula roush

I am a Lisbon-born artist based in London, UK. I am the founder of msdm, a platform for art practices that are mobile-strategies-[of]-display-[and]- mediation. It is a platform for both individual and collaborative work, shown in the context of exhibitions, publications, conferences and teaching/seminars. I work with photography, archives, found material and performance through editing strategies that investigate notions of authorship, authenticity, history and memory. I am interested in publishing as artists’ practice and as platform to explore the intersections between the roles of artist, editor and curator. My current projects look at ideas of (re) production in the work of art, resulting in publications in several formats that encompass the hand-made, the print on demand and the ebook.
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